I love Greenaway. He may never reach the heights of his 80s/early 90s films, but there is always something to enjoy in his work, even if you just turn your brain off and let the sensory overload roll over you. I also like that F. Murray Abraham is popping up in more films lately with this and Budapest and Llewyn Davis. He is a lot of fun here and he is always best when his scene chewing works for the character. In other words, perfect for Greenways style of artificiality.